Trey Popp of the Philadelphia City Beat has a story on the recent symposium at the University of Pennsylvania School of Law on the NBA and its collective-bargaining with NBA players. (Popp, "Dress Blues," Philadelphia City Beat, Feb. 2-8, 2006).
I am pleased that at least one person thought that I was well-dressed at the syompsium:
A pair of well-dressed, high-profile lawyers came to Philadelphia to take Iverson's argument a step further at a Penn symposium on sports law.
Michael McCann, an assistant professor at the Mississippi College School of Law, maintained that off-court threads aren't really the main issue. "There is an apparent pattern among NBA officials suggesting that they want to transfer autonomy from players to the league," he said. Owners have clamped down on certain hip-hop symbols in an effort to court increasingly conservative sponsors and appeal to a broader audience. Yet when the league isn't targeting Iverson's hip-hop generation for dress-code discipline, they've been exploiting it to line its pockets. The league's officially licensed video games are a case in point, McCann contends. NBA Ballers advertises itself as a peek into the "'bling-bling' lifestyle of NBA superstars," complete with "chromed-out cars" and "tatts." NBA 2K6 goes further, featuring rap artists like Method Man and ?uestlove as playable characters.
Alan Milstein observed that the league's attempt to impose conformity off the court was offensive. "When Allen sees little boys in bling-bling trying to look like him, he doesn't think he's corrupting them . . . he thinks it's great that the game can lead people to embrace other cultures."
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